Lucile Boiron / Mise en Pièces painting the volumes of the dictionary

the volumes of the dictionary become the raw material to craft interventions and site-specific installations

background and meaning of the dance styles

Wenzel questions the role of the camera and the one of the (female) body

Every day I experience the same surprise at the first contact with the imperceptible of virtual matter

movement and surface within the book and within the photographic image

Lucile Boiron / Mise en Pièces painting the volumes of the dictionaryMise en Pices combines self portraits of the artist with still lifes and images taken during cosmetic surgery. We are confronted with fragmentary remainsobjects of a luminous metamorphosis, supercharged by effects of contrast and brilliance. The photographer cuts, grabs, lifts and assembles. The tearing apart resembles a distortion of reality. We are all made of flesh, nerves, guts, bones and cartilages. But where descriptive monstrosity darkens,