"Kahlenbergerdorf" by Max Pollak, Czech-Amer., (1886-1970) Tempera 197 5-7/8 x 6-7/8

197 5-7/8 x 6-7/8

there exists a photograph in a file compiled by Sinclair Hitchings at the Boston Public Library of a third impression printed on the back of a batik owned by a Zorach family member

A beautiful and moody impression

It is a classic example of the bilateral symmetry Martin explored in her mature work in prints and many other media

sheet 22-5/8 x 29-15/16

"Kahlenbergerdorf" by Max Pollak, Czech-Amer., (1886-1970) Tempera 197 5-7/8 x 6-7/8Max Pollak, Czech. Amer., (1886 1970), Kahlenburgerdorf, Color Etching and Aquatint, ca. 1910 20, Ed. 250, 13 x 12 1 4, a ghost of mat line and inconspicuous bump crease left margin center edge and lower right corner tip, signed, titled and numbered in pencil, on thick, cream laid watermarked paper. Born in Prague and raised in Vienna, Max Pollak studied painting and printmaking under Unger and Schmutzer after 1902 at the Vienna Academy of Art. In