The Shadows silas-finch

The Shadows silas-finch"Debbie Fleming Cafferys images can be seen as articles of faith. The relentless insistence of subject and symbol in these images is assuredly their greatest strength. This vigor results from a tension that can be both visual and emotional. In this marshy no mans land between description and illusion, her photographs serve as an able guide to truths that are better sensed than seen." John Lawrence "The subject matter of Debbie Fleming Cafferys new

Produced to coincide with our exhibition at Paris Photo

Within a week he was in jail in Albany

the artist explores classic themes of love and death through photographs and words

Burt Lancaster

his nudes summon feelings of loss or the rapturous movement of sexual encounter

In this region of ancient traditions and striking environmental and ethnic diversity

silas finch

151 duotone plates

march 2002

My pictures often function as metaphors for the way the mind works: simultaneously collecting images while letting others go

a rocky field of seaweed is revealed

Through the artist’s haunted eyes these images and artifacts are seen new again